Beau Is Afraid
Ari Aster mistakes amplitude for creative insight, inflating a slender conceit about childhood trauma into a three-hour pageant of middle-aged humiliation.
Ari Aster mistakes amplitude for creative insight, inflating a slender conceit about childhood trauma into a three-hour pageant of middle-aged humiliation.
Nabokov creates new words and organizes others into phrases that were likely never uttered before.
predictably loaded with style, yet too often feels like a careful construction of cinematic elements rather than an organic creation, and ultimately has very little to say about its subject matter.