It’s undeniably the best Spider-Man film ever made, and might even be the best superhero film of all time, unapologetically in love with its source material and unwilling to corral it into anything resembling realism.
Superman Returns is a solid superhero film that was made by competent and passionate people.
To put it bluntly, the only thing they got kind of right was Spider-Man in a sandbox.
Adam West knows how silly his lines and actions are, and refrains from phoning them in or taking them too seriously.
For a low-budget effort thrown together as a way to recoup potential losses if the television series flopped, it turned out alright, and has aged about as you would expect.
The documentary provides a wealth of historical context along with a very nice selection of interviewees to paint a picture of Superman as the cultural phenomenon that is ubiquitous today.
The plot, involving super hero serums, sun-eating creatures, and gravity guns, is expectedly outlandish.
The Wolverine of Origins is the lethal terror you always hope he will be in videogames.
It is a joy to see the alternate, superior scenes that had been cut in favor of Lester’s reshoots, and to see these unburied artifacts pieced together into an entire feature length film.
