The Hit
The film’s shift away from the gangster tropes of its introductory scenes to a more contemplative and philosophical mode of storytelling makes the final scenes much more jarring.
The film’s shift away from the gangster tropes of its introductory scenes to a more contemplative and philosophical mode of storytelling makes the final scenes much more jarring.
It’s the kind of overblown thing an arthouse director could release to critical praise while the vast majority would sneer and call ridiculous.