Mad God
Mad God deserves to be lauded as one of the most original and audacious works of stop-motion animation in the history of the medium.
Mad God deserves to be lauded as one of the most original and audacious works of stop-motion animation in the history of the medium.
Perhaps the most unsettling element of Zero Day is Coccio’s decision to leave the motives ambiguous, to suggest that the kids themselves don’t fully understand what drives them to commit such heinous crimes.
It forces the audience to assume the roles of both victim and perpetrator, and its sustained horror remains firmly lodged in the mind long after the jump scares and gore of a regular horror film would have faded from memory.
Mankind does not understand itself deeply, and yet we persist in our investigations into the mysterious and risk being overwhelmed by things we can’t comprehend.
Melville understands that action can deflate the sense of suspense—the real battles we see are fought within the minds of the Resistance members, as they are thrust into futile situations and must set aside their moral qualms for the sake of the greater good, which they know they will likely not live to see.