Fun House
Fun House actualized the claims that rock ‘n’ roll was the devil’s music. As crystal-clear a death knell of the utopian-minded 1960s as anything.
Fun House actualized the claims that rock ‘n’ roll was the devil’s music. As crystal-clear a death knell of the utopian-minded 1960s as anything.
It’s about the regimented structure of small town life, the relationships between the older and younger generations, and the individual’s tendency to lose their personality as they are absorbed into a larger community.
Adam West knows how silly his lines and actions are, and refrains from phoning them in or taking them too seriously.
Third/Sister Lovers slots in as a cult classic, an unpalatable album that has nevertheless found a home amongst misfits and outsiders.
RoboCop is of a rare breed, offering something to chew on for the popcorn crowd, the social philosophers, and the cyberpunks alike.
When they finally find the single exit from their mechanical prison, the blinding light that greets the survivors reinforces claustrophobia felt throughout the rest of the film.