Fun House
Fun House actualized the claims that rock ‘n’ roll was the devil’s music. As crystal-clear a death knell of the utopian-minded 1960s as anything.
Fun House actualized the claims that rock ‘n’ roll was the devil’s music. As crystal-clear a death knell of the utopian-minded 1960s as anything.
Third/Sister Lovers slots in as a cult classic, an unpalatable album that has nevertheless found a home amongst misfits and outsiders.
RoboCop is of a rare breed, offering something to chew on for the popcorn crowd, the social philosophers, and the cyberpunks alike.
When they finally find the single exit from their mechanical prison, the blinding light that greets the survivors reinforces claustrophobia felt throughout the rest of the film.
Linklater simply wants us to listen and observe, rather than to actively show us or tell us anything.